Books Received: Climate Futures List

A rash of recent books about the geographic implications of climate change have crossed my desk. In this themed supplement to BLDGBLOG’s ongoing Books Received series, I thought I’d group them together into one related list.

[Image: Courtesy of the Wall Street Journal].

What many of the books described in this post have in common—aside from their shared interest in what a climatically different earth will mean for the future of human civilization—is their use of short, fictionalized narratives set in specific future years or geographic regions as a way of illustrating larger points.

These narrative scenarios—diagnostic estimates of where we will be at some projected later date—come with chapter titles such as “Russia, 2019,” “China, 2042,” “Miami Beached,” and “Holland 2.0 Depolderized.” Among the various spatial and geopolitical side-effects of climate change outlined by these authors are a coming depopulation of the American Southwest; a massive demographic move north toward newly temperate Arctic settlements, economically spearheaded by the extraction industry and an invigorated global sea trade; border wars between an authoritarian Russia and a civil war-wracked China; and entire floating cities colonizing the waters of the north Atlantic as Holland aims to give up its terrestrial anchorage altogether, becoming truly a nation at sea.

“Will Manhattan Flood?” asks Matthew E. Kahn in his Climatopolis: How Our Cities Will Thrive in the Hotter Future. What will Greenland look like in the year 2215, with atmospheric carbon dioxide levels at 1300 parts per million, according to Peter Ward’s The Flooded Earth: Our Future In a World Without Ice Caps? Will a “New North” rise as the Arctic de-ices and today’s economic powerhouses, from Los Angeles to Shanghai, stagnate under killer droughts, coastal floods, and heat waves, as Laurence C. Smith suggests in The World in 2050: Four Forces Shaping Civilization’s Northern Future?

[Image: Modeling sea-level rise in Florida, courtesy of Penn State].

However, climate change is only one of the world-altering forces under discussion in each of these six books. Demography, oil scarcity, natural resources, public hygiene, and accelerating globalization all play roles, to different extents, in these authors’ thinking. In one case, in particular—Float!: Building on Water to Combat Urban Congestion and Climate Change, the most practical book described here—new construction technologies, with immediate implications for architectural design, also take center stage.

In all cases, though, these books offer further evidence of an irresistible popular urge to discuss the future, and to do so through what can very broadly described as fiction. The recent speculative tone taken by much of today’s architecture writing is only part of this trend; from “design fiction” to speculative foreign policy blogs, and from “the world without us” to future food, a compulsion to understand what might happen to human civilization, in both the near and distant future, using fictional scenarios and speculative hypotheses seems to be at a high point of trans-disciplinary appeal.

As Heidi Cullen writes in The Weather of the Future: Heat Waves, Extreme Storms, and Other Scenes from a Climate-Changed Planet, there is something inherently difficult in comprehending the scale of climate change—what effects it might have, what systems it might interrupt or ruin. She thus imports lessons from cognitive psychology to understand what it is about climate change that keeps it so widely misinterpreted (though a hefty dose of media criticism, I’d argue, is far more apropos). It is interesting, then, in light of the apparent incomprehensibility of climate change, that fictional scenarios have become so popular a means of explaining and illustrating what Cullen calls our “climate-changed planet.”

This emerging narrative portraiture of climate change—exemplified by most of the books under discussion here, whether they present us with Atlanta running out of freshwater, frantic Chinese troops diverting rivers on the border with India, or a governmentally-abandoned Miami given over to anarchism and mass flooding—offers an imperfect but highly effective way of making a multi-dimensional problem understandable.

After all, if stories are an effective means of communicating culturally valuable information—if stories are pedagogically useful—then why not tell more stories about future climate change—indeed, why not tell more stories about architecture and buildings and emerging technologies and the spaces of tomorrow’s geopolitics?

Perhaps this is why so much of architecture writing today, both on blogs and elsewhere, so willfully crosses over into science fiction: if architecture literally is the design and proposal of a different world—one that might exist tomorrow, next year, next decade—then it is conceptually coextensive with the genre of scifi.

The current speculative turn in architecture writing is thus both unsurprising and highly appropriate to its subject matter—something worth bearing in mind by anyone hoping to find a larger audience for architectural critique.

[Image: “London as Venice” by Robert Graves and Didier Madoc-Jones, based on a photo by Jason Hawkes (part of an image series well-critiqued by the Guardian)].

An obvious problem with these preceding statements, however, is that we might quickly find ourselves relying on fiction to present scientific ideas to a popular audience; in turn, this risks producing a public educated not by scientists themselves but by misleading plotlines and useless blockbusters, such as The Day After Tomorrow and State of Fear, where incorrect popular representations of scientific data become mistaken for reports of verified fact.

In a way, one of the books cited in the following short list unwittingly demonstrates this very risk; Climate Wars: The Fight for Survival as the World Overheats would certainly work to stimulate a morally animated conversation with your friends over coffee or drinks, but there is something about its militarized fantasies of Arctic tent cities and Asian governments collapsing in civil free-fall that can’t help but come across as over-excitable, opening the door to disbelief for cynics and providing ammunition for extreme political views.

Indeed, I’d argue, the extent to which contemporary political fantasies are being narratively projected onto the looming world of runaway climate change has yet to be fully analyzed. For instance, climate change will cause the European Union to disband, we read in one book cited here, leaving Britain an agriculturally self-sufficient (though under-employed) island-state of dense, pedestrian-friendly urban cores; the U.S. will close its foreign military bases en masse, bringing its troops home to concentrate on large-scale infrastructural improvements, such as urban seawalls, as the middle class moves to high-altitude safety in the Rocky Mountains where it will live much closer to nature; Africa, already suffering from political corruption and epidemic disease, will fail entirely, undergoing a horrific population crash; and China will implode, leaving the global north in control of world resources once again.

It is important to note that all of these scenarios represent explicit political goals for different groups located at different points on the political spectrum. Perversely, disastrous climate change scenarios actually offer certain societal forces a sense of future relief—however misguided or short-term that relief may be.

Elsewhere, I’ve written about what I call climate change escapism—or liberation hydrology—which is the idea that climate change, and its attendant rewriting of the world’s geography through floods, is being turned into a kind of one-stop shop, like the 2012 Mayan apocalypse, for people who long for radical escape from today’s terrestrial status quo but who can find no effective political means for rallying those they see as forming a united constituency. Climate change thus becomes a kind of a deus ex machina—a light at the end of the tunnel for those who hope to see the world stood abruptly on its head.

Indeed, we might ask here: what do we want from climate change? What world do we secretly hope climate change will create—and what details of this world can we glimpse in today’s speculative descriptions of the future? What explicit moral lessons do we hope climate change will teach our fellow human beings?

[Image: “London-on-Sea” by Practical Action].

Of course, the six books listed below are by no means the only ones worth reading on these topics; in fact, the emerging genre of what I’ll call climate futures is an absolutely fascinating one, and these books should be seen as a useful starting place. I would add, for instance, that Charles Emmerson’s recent Future History of the Arctic clearly belongs on this list—however, I covered it in an earlier installment of Books Received. Further, Forecast: The Consequences of Climate Change, from the Amazon to the Arctic, from Darfur to Napa Valley by Stephan Faris is a commendably concise and highly readable introduction to what global climate change might bring, and Elizabeth Kolbert’s Field Notes from a Catastrophe: Man, Nature, and Climate Change has become something of a minor classic in this emerging field.

So, without further ado, here are six new books about climate futures.

The World in 2050: Four Forces Shaping Civilization’s Northern Future by Laurence C. Smith (Dutton). Smith’s book is a virtuoso example of what I would call political science fiction, extrapolating from existing trends in demography, natural-resource depletion, globalization, and climate change to see what will happen to the eight nations of the Arctic Rim—what Smith alternately calls the New North and the Northern Rim. “I loosely define this ‘New North,'” Smith writes, “as all land and oceans lying 45º N latitude or higher currently held by the United States, Canada, Iceland, Greenland (Denmark), Norway, Sweden, Finland, and Russia.”

I should point out that the book’s cover art depicts downtown Los Angeles being over-run by the cracked earth of a featureless desert, as clear an indication as any that Smith’s New North will benefit from negative—indeed, sometimes catastrophic—effects elsewhere.

In an article-slash-book-excerpt published last month in the Wall Street Journal, Smith wrote: “Imagine the Arctic in 2050 as a frigid version of Nevada—an empty landscape dotted with gleaming boom towns. Gas pipelines fan across the tundra, fueling fast-growing cities to the south like Calgary and Moscow, the coveted destinations for millions of global immigrants. It’s a busy web for global commerce, as the world’s ships advance each summer as the seasonal sea ice retreats, or even briefly disappears.” Further:

If Florida coasts become uninsurable and California enters a long-term drought, might people consider moving to Minnesota or Alberta? Will Spaniards eye Sweden? Might Russia one day, its population falling and needful of immigrants, decide a smarter alternative to resurrecting old Soviet plans for a 1,600-mile Siberia-Aral canal is to simply invite former Kazakh and Uzbek cotton farmers to abandon their dusty fields and resettle Siberia, to work in the gas fields?

Being an unapologetic fan of rhetorical questions—will speculative Arctic infrastructure projects be, in the early 2010s, what floating architecture was to the mid-2000s?—the overall approach of Smith’s book maintains a strong appeal for me throughout. The final chapter, in which, as Smith writes, we “step out of the comfort zone” into more open speculation, caps the book off nicely.

The Flooded Earth: Our Future In a World Without Ice Caps by Peter D. Ward (Basic Books). Ward, a paleontologist, has produced a disturbing overview of how terrestrial ecosystems might be fundamentally changed as sea levels rise—and rise, and rise. Ward has the benefit of calling upon data taken from extremely distant phases of the earth’s history, almost all of which becomes highly alarming when transposed to the present and near-future earth. “This book is based on the fact that the earth has flooded before,” he writes, including phases in which seas rose globally at rates of up to 15 feet per century.

Ward successfully communicates the fact that the stakes of climate change are urgent and huge. Indeed, he writes, “The most extreme estimate suggests that within the next century we will reach the level [of carbon dioxide in the atmosphere] that existed in the Eocene Epoch of about 55 million to 34 million years ago, when carbon dioxide was about 800 to 1,000 ppm. This might be the last stop before a chain of mechanisms leads to wholesale oceanic changes that are not good for oxygen-loving life.” That is, a cascade of terrestrial side-effects and uncontrollable feedback loops could very well begin, ultimately extinguishing all oxygen-breathing organisms and kickstarting a new phase of life on earth. Whatever those future creatures might be, they will live, as Ward has written in another book, under the specter of a “green sky.” Brief fictional scenarios—including future bands of human “breeding pairs” wandering through flooded landscapes—pepper Ward’s book.

The Weather of the Future: Heat Waves, Extreme Storms, and Other Scenes from a Climate-Changed Planet by Heidi Cullen (Harper). Cullen’s book is the one title listed here with which I am least familiar, having read only the opening chapter. But it, too, is organized by region and time frame: the Great Barrier Reef, California’s Central Valley, the Sahel in Africa, Bangladesh, New York City, and so on. The shared references to these and other locations in almost all contemporary books on climate change suggests an emerging geography of hotspots—a kind of climate change tourism in which authors visit locations of projected extreme weather events before those storms arrive. Cullen’s book “re-frightened” Stephen Colbert, for whatever that’s worth; I only wish I had had more time to read it before assembling this list.

Float!: Building on Water to Combat Urban Congestion and Climate Change by Koen Olthuis and David Keuning (Frame). When David Keuning sent me a review copy of this book he joked that “offshore architecture has been relatively depleted of its novelty over the last few years”—an accurate statement, as images of floating buildings bring back strong memories of the architectural blogosphere circa 2005.

However, Keuning and Olthuis needn’t be worried about depleting the reader’s interest. A remarkably stimulating read, Float! falls somewhere between design textbook, aquatic manifesto, and environmental exhortation to explore architecture’s offshore future. Water-based urban redesign; public transportation over aquatic roadways; floating barge-farms (as well as floating prisons); maneuverable bridges; entire artificial archipelagoes: none of these are new ideas, but seeing them all in one place, in a crisply designed hardback, is an undeniable pleasure.

The book is occasionally hamstrung by its own optimism, claiming, for instance, that “Once a floating building has left its location, there will be nothing left to remind people of its former presence,” an environmentally ambitious goal, to be sure, but, without a clear focus on maritime waste management (from sewage to rubbish to excess fuel) such statements simply seem self-congratulatory. Having said that, Float! is an excellent resource for any design studio or seminar looking at the future of floating structures in an age of flooding cities.

Climatopolis: How Our Cities Will Thrive in the Hotter Future by Matthew E. Kahn (Basic Books). Kahn’s book is at once hopeful—that cities will energetically reconfigure themselves to function smoothly in a decarbonized global economy—and cautionary, warning that whole regions of the world might soon become uninhabitable.

Kahn’s early distinction between New York City and Salt Lake City—the former considered high-risk, due to coastal flooding and extreme weather events, the latter an example of what Kahn calls “safe cities”—is useful for understanding the overall, somewhat armchair tone of the book. Climatopolis is not hugely rigorous in its exploration of what makes a city “climate-safe,” and it overestimates the descriptive value of using “Al Gore” as a personality type, seeming to cite the politician at least once every few pages, but if your interests are more Planetizen than Popular Science, this is a useful overview of the urban effects of climate change over disparate cities and regions.

Climate Wars: The Fight for Survival as the World Overheats by Gwynne Dyer (Oneworld Publications). Dyer writes that his awareness of climate change was kicked off by two things: “One was the realization that the first and most important impact of climate change on human civilization will be an acute and permanent crisis of food supply.” The other “was a dawning awareness that, in a number of the great powers, climate-change scenarios are already playing a large and increasing role in the military planning process.” Putting two and two together, Dyer has hypothesized, based on a close reading of military documents outlining climate-change contingency plans, what he calls climate wars: wars over food, water, territory, and unrealistic lifestyle guarantees.

Dyer’s book utilizes the most explicitly fictionalized approach of all the books under discussion here—to the extent that I would perhaps have urged him literally to write a novel—and he is very quick to admit that the outcome of his various, geographically widespread scenarios often contradict one another. For those of you with a taste for the apocalypse, or at least a voyeuristic interest in extreme survivalism, this is a good one. For those of you not looking for what is effectively a military-themed science fiction novel in journalistic form, you would do better with one of the titles listed above.

* * *

All Books Received: August 2015, September 2013, December 2012, June 2012, December 2010 (“Climate Futures List”), May 2010, May 2009, and March 2009.

London-on-Sea

[Image: “London-on-Sea” by Practical Action].

Practical Action, a UK-based charity group, has done a quick edit to the London Tube map to show how things might look in an era of catastrophic sea-level rise.

As much as I like such a simple gesture, though, for me, one of the most effective urban sea-level-rise awareness projects is still Chris Bodle’s Watermarks Project.

(Via Londonist and @poundforpound).

Manhattan El Dorado

[Image: The New York Federal Reserve Bank; photo by Friends of the Pleistocene].

I have linked to the ongoing series of “Geologic City Reports” released every few weeks by the excellent blog Friends of the Pleistocene—which, having launched back in January, receives my vote for Best New Blog of 2010—but the newest installment, #9, is worth singling out. In it, F.O.P. tour the gold reserve vaults of Manhattan.

The New York Federal Reserve bank “is a place where humans have encased geology within geology. They’ve unfolded and refolded stratifications of limestone, sandstone, iron and gold so they could put the gold on the inside—where it can be hyper-protected because of its high, human-assigned value.” Think of it as a kind of metallurgical Reese’s Peanut Butter Cup.

The authors go on to describe the actual, physical sale of gold bars as “a human-scale chess game playing out in the basement of New York with elemental geology as the pawns.”

While you’re at it, “Geologic City Reports” 1, 2, 3, 4, 5, 6, 7, and 8 are all worth reading, as well.

(Earlier on BLDGBLOG: City of Gold).

Crystal Furnace in Space

[Image: The crystal growth furnace; courtesy of NASA].

This isn’t news, but my days are made fractionally better by the knowledge that there is a “crystal growth furnace” birthing new geological forms in microgravity aboard the International Space Station.

[Image: Another view of the crystal growth furnace; courtesy of NASA].

“The Zeolite Crystal Growth (ZCG) furnace, which was derived from earlier shuttle models,” NASA explains, “can grow zeolites, zeotype titanosilicate materials, ferroelectrics, and silver halides—all materials of commercial interest. The unit consists of a cylinder-shaped furnace, the Improved Zeolite Electronic Control System (IZECS), which includes a touchpad and data display as well as autoclaves. Two precursor growth solutions are placed into each autoclave, which mix during their stay in the furnace.”

In the end, though, this research comes down to fossil fuels: “Zeolites form the backbone of the chemical processes industry, and virtually all the world’s gasoline is produced or upgraded using zeolites. Industry wants to improve zeolite crystals so that more gasoline can be produced from a barrel of oil, making the industry more efficient and thus reducing America’s dependence on foreign oil.”

[Image: Terrestrial and nonterrestrial zeolites compared, courtesy of NASA].

First, “the furnace heats up and crystals start to form, or nucleate,” monitored only occasionally by the crew, while a “payload team on the ground” watches these crystals, like something out of a Charles Stross novel, “via download telemetry.” Otherwise, “with the exception of loading the autoclaves into the furnace and turning the switch on, the crystal growth experiment operations are unattended by the crew.”

Rare and unattended postgeological forms take shape in engines quietly aflame in space, new hearths for future astronauts, like William Blake gone Ballardian in earth orbit, cultivating crystal trays, supervised telemetrically by an audience far below.

[Image: More comparative space crystallography, courtesy of NASA].

In fact, there was an article seven years ago in New Scientist about cosmonauts running plasma-crystal experiments aboard the International Space Station, studying a type of matter that is atomically parked somewhere between liquid and solid: “Although the consistency of the [plasma] crystals is something like a viscous fluid, their internal structures closely resemble the atomic lattices seen in conventional solids.”

But what’s particularly interesting is that “one of the cosmonauts was so intrigued” by this strange new material form that “he decided to do extra experiments in his private sleep time”—a statement phrased perhaps deliberately vaguely, as if the writer was unable to resist this exquisite vision of obsessive-compulsive cosmonauts so intent on building crystals in space that they have found a way to do so even while dreaming.

Air Hive

[Image: From “Microclimates” by PostlerFerguson].

These air-cooling hives made from “3D-printed sand” and designed by PostlerFerguson have been rendered a bit too glossily for my taste, but I love the idea: each unit has “a complex internal structure whose large internal surface area efficiently conditions air passing through it by evaporative cooling. Each cooling tower is made from 3D-printed sand using technology developed by D-Shape.”

[Images: From “Microclimates” by PostlerFerguson].

The designers refer to the work as “not just an installation, but a building language that can be reused again and again to create new public spaces.” Roads, piazzas, buildings, halls, rooms, architectural ornament—adding non-electrical air-cooling technology to the built environment on a huge variety of scales and conjuring up images of 3D-printed sandstone ornamental cornices on buildings being used to cool urban streetscapes.

[Image: From “Microclimates” by PostlerFerguson].

In some ways, purely on the level of material similarities, this might remind readers of the work of Magnus Larsson, featured here last summer, in which it was proposed that landscape-scale architectural forms in the African desert could be “printed” into existence via bacterial-injection machines (read the original proposal for more information).

[Images: From “Microclimates” by PostlerFerguson].

But the very different aesthetic here, and the functional purpose of using hives of 3D-printed sand as a way of generating thermally advantageous microclimates in the city, offers an interesting direction for the surprising popularity today of architectural projects involving stabilized sand.

(Spotted via Dezeen).

Probe Field

[Image: From “Kielder Probes” by Phil Ayres, Chris Leung, and Bob Sheil, courtesy of sixteen*(makers)].

Beginning in 2003, architects Phil Ayres, Chris Leung, and Bob Sheil of sixteen*(makers) began experimenting with a group of “micro-environmental surveying probes” that he was later to install in Kielder Park, Northumbria, UK.

[Image: From “Kielder Probes” by Phil Ayres, Chris Leung, and Bob Sheil, courtesy of sixteen*(makers)].

The probes were “designed to act as dual monitors and responsive artefacts.” Which means what, exactly?

The probes were designed to measure difference over time rather than the static characteristics of any given instance. Powered by solar energy, the probes gathered and recorded ‘micro environmental data’ over time. The probes were simultaneously and physically responsive to these changes, opening out when warm and sunny, closing down when cold and dark. Thus not only did the probes record environmental change, but they demonstrated how these changes might induce a responsive behaviour specific to a single location.

After the probes were installed, they were filmed by “an array of high-resolution digital cameras programmed to record at regular intervals.”

[Images: From “Kielder Probes” by Phil Ayres, Chris Leung, and Bob Sheil, courtesy of sixteen*(makers)].

The resulting data—which took note of the climatic and solar situations in which the objects began to change—offers insights, Sheil suggests, into how “passively activated responsive architecture” might operate in other sites, under other environmental conditions.

[Images: From “Kielder Probes” by Phil Ayres, Chris Leung, and Bob Sheil, courtesy of sixteen*(makers)].

As DIY landscape-registration devices constructed from what appear to be off-the-shelf aluminum plates, they also cut an interesting formal profile above the horizon line, like rare birds or machine-flowers perched amidst the tree stumps.

[Image: From “Kielder Probes” by Phil Ayres, Chris Leung, and Bob Sheil, courtesy of sixteen*(makers)].

Chernobyl/Baikonur

[Image: The Baikonur Cosmodrome; image via Tomorrow’s Thoughts Today].

Liam Young and Kate Davies of the Architectural Association’s Unknown Fields Division have teamed up to launch an annual “nomadic studio.” Next July, 2011, Young and Davies will lead a two-week visit to the irradiated zones of exclusion at Chernobyl, Ukraine, and the derelict Soviet launch-city of Baikonur for an intensive workshop of architectural research and design.

As Liam describes the studio: “Together we will form a traveling circus of research visits, field reportage, rolling discussions, and impromptu tutorials… Joining us on our travels will be a troupe of collaborators: photographers and filmmakers from the worlds of technology, science and fiction including the Philips Technologies Design Probes research lab and Archis/Volume magazine.”

There is a £650 fee to participate, but this does not cover flights or hotels. More info here.

Ventilating Mines with Repurposed Airplane Engines

[Image: A “Jeffrey Portable Blower,” once billed as the “highest efficiency in mine ventilation, insuring [sic] a continuous and abundant supply of fresh air under every operating condition.” Image courtesy of Kentucky Coal Heritage].

I had never heard of a “Gorniczy Agregat Gasniczy” apparatus prior to the Pike River Mine disaster still unfolding in New Zealand, where one such device is about to be deployed.

The GAG, as it’s known, is “a jet engine inertisation unit developed for use in mines, controlling and suppressing coal seam fires,” Wikipedia explains—another way of saying that it is literally a jet engine that you plug into one end of a sealed mine in order to blow high-powered chemical winds (carbon dioxide, nitrogen, and water vapor) into the tunnels below. These gases then “lower the oxygen levels, suppressing fires and forcing methane out of the mine.”

[Image: A GAG unit being readied in New Zealand, courtesy of the New Zealand Herald News].

There are only three operational GAG units in the world right now, apparently. Each operates by taking a “docking position” on the earth’s surface, attached to “intake ventilation headings” that lead, via boreholes, into the porous labyrinth of artificial caves below. The GAG then rapidly pumps a new atmosphere into the existing mineworks, as if generating artificial weather underground. In a paper on “jet engine inertisation techniques,” Stewart Bell points out that “a variation of this device was used, mounted on a remotely controlled tank, to extinguish the oil well fires in Kuwait following the Gulf War.”

As Jonathan Rennie, the person who originally pointed this machine out to me, added: “I wonder what alternative structures it could be plugged into and what alternative gases could be pumped.” Indeed. Weaponized jet-engine army battering rams used to clear enemy houses of hidden combatants. Emergency subway ventilation machines. Alcoholic mist-dissemination units for avant-garde cocktail parties. Underground deodorant guns.

As it happens, the specialty subfield of preventing and/or extinguishing underground mine fires comes with a wide range of spatial and material techniques. These include the controlled “injection” of instant gel-foam barriers (operated via “an underground-based mobile gel preparation and injection system”), in order to block airflow through the mines, and the installation of ventilation control devices (VCDs), or rapidly deployed explosive barriers.

Looking into this latter architectural form—if we can treat underground ventilation control devices as a form of spatial design—led me to something called the “TestSafe Explosions Gallery” in Queensland, Australia—a kind of experimental underground explosion lab that operates as “a full-scale pressure test facility for ventilation control devices (VCDs) within Australia.”

[Image: The Lake Lynn Experimental Mine facility; image courtesy of the CDC].

This “full-scale pressure test facility” joins another Aussie site, called the Lake Lynn Experimental Mine (LLEM), “a highly sophisticated underground and surface facility where large-scale explosion trials and mine fire research is conducted.”

The workings are located in a massive limestone deposit. Entries are sized to match those of commercial mines, making them authentic, full-scale test galleries. Movable bulkheads permit the setup of single-entry, triple-entry, and longwall face configurations for experiments. The underground test areas are amply instrumented and coupled to a remote control center at the surface. Research conducted at this facility includes large-scale gas and coal dust explosion studies, conveyor belt flammability trials, and evaluations of explosive materials and mine stoppings. In addition, diesel, ground control, and emergency response and rescue research is conducted here.

I’m increasingly convinced that these sorts of highly specific sites need to be cataloged within the architectural world—or, at the very least, within the world of landscape research and design. Put another way, in the long line of accepted building typologies—the library, the stadium, the prison, the house, the theater—it’s a shame not to see mine-fire research facilities more frequently listed…

In any case, Jonathan Rennie, who first pointed out Gorniczy Agregat Gasniczy devices to me, also forwarded a link to the homepage of Andrzej M. Wala, a mine engineering professor at the University of Kentucky with a research focus on subsurface ventilation techniques—mapping and predicting atmospheric effects in highly confined quarters below ground. As part of this, Wala has pioneered work in simulating the spread of underground fires using VENTGRAPH “mine fire simulation software” (as opposed to VENTSIM “mine ventilation simulation software”).

“The essential work program of the project,” Wala and his co-authors explain, “was built around the introduction of fire simulation computer software and the consequent modeling of fire scenarios in selected mine with different layouts.” At stake here is a comprehensive understanding of the geometry of underground airflow:

The importance of understanding complex ventilation networks such as those with diagonal connections has been discussed. It is important to identify and understand their potential effects on the mine ventilation network as the airflow through the diagonal connections could reverse or stop due to the changes in the adjoining branches within the ventilation network. Mining companies need to identify the existing and potential diagonal connections in their ventilation system and analyze how these connections will affect their ventilation system especially in the case of fires. Training is necessary to equip mine ventilation personnel how to identify and minimize diagonal connections in their ventilation system.

Indeed, we read elsewhere, underground facilities are often subject to sudden, potentially disastrous “windblasts,” an atmospheric effect generated under certain spatial conditions: “These conditions include the geological configuration and the dimensions of the mining excavation (mine layout).” It’s like spatially-induced turbulence inside the earth.

[Image: The Wieliczka Salt Mine and its surface weather station; image courtesy of NOAA].

So there is weather underground, then. In fact, it is interesting to note in this context that the famed Wieliczka Salt Mine outside Krakow, Poland, has its own weather station monitoring the atmospheric conditions underground. The station operates in tandem with a distributed network of microclimate sensors and a massive dehumidification system: “Although the dehumidification system is not yet operating exactly as desired… ‘tuning’ of the dehumidification system is planned and is expected to completely solve the mine’s moisture problem.”

I’m reminded of a passage from the Aeneid that I often cite here on BLDGBLOG, in which Virgil describes the underground storm-storage facilities of King Aeolus, who “rules the contending winds and moaning gales” of the Mediterranean by “imprisoning” them inside artificial caves that he has excavated beneath the “granite of high mountains.” A kind of mythic weather-emperor, King Aeolus exhibits a knowledge of underground atmospheric dynamics that the programmers of VENTGRAPH and the operators of the Wieliczka dehumidification system should envy.

[Image: Holland Tunnel exhaust tower, ventilating the underworld; photo via SkyscraperPage.com].

Finally, all this talk of subterranean ventilation compels me to mention David Gissen‘s short history of New York’s urban ventilation control structures—specifically, the design of exhaust towers for the Holland Tunnel.

In a brief section of his recent book Subnature: Architecture’s Other Environments, Gissen describes these structures as “strange buildings” that “collapsed” the difference between architecture and civil engineering:

The Holland Tunnel spanned an enormous 8,500 feet. At each end, engineers designed ten-story ventilation towers that would push air through tunnels above the cars, drawing the vehicle exhaust upward, where it would be blown back through the tops of the towers and over industrial areas of the city. The exhaust towers provided a strange new building type in the city—a looming blank tower that oscillated between a work of engineering and architecture.

The very idea here that urban infrastructure—such as trans-river commuter tunnels or an underground subway—might be atmospherically comparable to deep coal mines is fascinating; the possibility that spatial techniques learned in one of these fields might be equally applicable in the other is equally of interest.

It is these moments of marginal, shared spatial expertise that continue to fascinate me, offering, as they do, unexpected perspectives on the built environment—both above and below the ground.

(Meanwhile, check out this image of 16th-century mine ventilation works, in which “revolving wooden wind vanes fitted to the top of mine ventilation shafts… acted as extractor fans sucking stale air from the mine.”)

Spatial Gameplay in Full-Court 3D

Japan is distinguishing its bid to host the 2022 World Cup with a plan to broadcast the entire thing as a life-size hologram.

[Image: Courtesy of the Japan Football Association/CNN].

“Japanese organizers say each game will be filmed by 200 high definition cameras, which will use ‘freeviewpoint’ technology to allow fans to see the action unfold from a player’s eye view—the kind of images until now only seen in video games,” CNN reports.

[Image: Courtesy of the Japan Football Association/CNN].

British football theorist Jonathan Wilson puts an interestingly spatial spin on the idea: “Speaking as a tactics geek,” he said to CNN, “the problem watching games on television is it’s very hard to see the shape of the teams, so if you’re trying to assess the way the game’s going, if you’re trying to assess the space, how a team’s shape’s doing and their defense and organization, then this will clearly be beneficial.”

Watching a sport becomes a new form of spatial immersion into strategic game geometries.

[Image: Courtesy of the Japan Football Association/CNN].

Of course, there’s open disbelief that Japan can actually deliver on this promise—it is proposing something based on technology that does not quite exist yet, on the optimistic assumption that all technical problems will be worked out in 12 years’ time.

But the idea of real-time, life-size event-holograms being beamed around the world as a spatial replacement for TV imagery is stunning.

(Thanks to Judson Hornfeck for the tip!)

Stationary Cinema

[Image: Wallpaper by Studio Carnovsky, via Creative Review].

This wallpaper, designed by Studio Carnovsky, changes images depending on what color light you view it under. As such, it could be an incredibly interesting thing to experiment with in other contexts—including outdoor urban lighting, public signage, and even film animation.

[Image: Wallpaper by Studio Carnovsky, via Creative Review].

In the latter case, imagine a hallway whose wallpaper is printed with six or seven closely related scenes from an animated clip; each “scene” is printed in a different color. A light programmed to move through the appropriate sequence of color changes is then installed in the same corridor; as it flashes from color to color, changing perhaps every half-second, you see what appears to be a moving image on the walls around you.

It would be a kind of unmoving zoetrope—a stationary cinema in printed form (or a stationary cinema in stationery form?).

[Images: Wallpaper by Studio Carnovsky, via Creative Review].

Even if only used for interior decoration, however, the effect is well worth exploring further.

(Thanks to a tip from Tim Maly).

Architecturally Armed

[Image: Photo by Vincent Fournier, courtesy of Wired UK].

This morning’s post about a robot-city on the slopes of Mount Fuji reminded me of this thing called the CyberMotion Simulator, operated by the Max Planck Institute for Biological Cybernetics in Germany (and featured in this month’s issue of Wired UK).

The Simulator, Wired writes, is “a RoboCoaster industrial robotic arm adapted and programmed to simulate an F1 Ferrari F2007.”

Testers are strapped into a cabin two metres above ground, and use a steering wheel, accelerator and brake to control CyberMotion. The simulator can provide accelerations of 2G and its display shows a 3D view of the circuit at Monza. The arm’s six axes allow for the replication of twists and turns on the track and can even turn the subjects upside down.

But I’m curious what everyday architectural uses such a robo-arm might have. An office full of moving cubicles held aloft by black robotic arms that lift, turn, and rotate each desk based on who the worker wants to talk to; mobile bedroom furniture for a depressed ex-astronaut; avant-garde set design for a new play in East London; a vertigo-treatment facility designed by Aristide Antonas; surveillance towers for traffic police in outer Tokyo; a hawk-watching platform in Fort Washington State Park.

You show up for your first day of high school somewhere in a Chinese colonial city in central Africa and find that everyone—in room after room, holding hundreds of people—is sitting ten feet off the ground in these weird and wormy chairs, dipping and weaving and reading Shakespeare.