A few years ago, I picked up an old copy of Framework: The Finnish Art Review because it looked really good and had some cool images in it – and, even now, I think it’s an interesting magazine. I don’t regret the purchase.
So I was flipping through it again the other night, looking for something, when I re-discovered a bunch of photographs by Ilkka Halso.
The images are part of an amazing series called the “Museum of Nature,” and I’m frankly still in awe of the project.
The basic premise of Halso’s digitally manipulated work is that “nature” has been transformed into a museum display – yet the public’s interaction with this new, endangered artifact is limited to spectacular roller coaster rides, perfectly reflected in the still waters they pass over. Alternatively, you can visit this steamy, delirious, quasi-Parisian gallery of iron and glass roofs built arching into disappearance over pine forests.
These are “shelters,” the artist writes, “massive buildings where big ecosystems could be stored.”
The more I think about this project, the more interesting it gets; someone should write a novel set in this place – a kind of eco-catastrophic sequel to Westworld, perhaps – or, at the very least, someone should put Halso’s images on display in the United States. They’d also make a gorgeous spread in Wired.