At long last, after a delay from the printer, Landscape Futures: Instruments, Devices and Architectural Inventions is finally out and shipping internationally.
I am incredibly excited about the book, to be honest, and about the huge variety of content it features, including an original essay by Elizabeth Ellsworth & Jamie Kruse of Smudge Studio, a short piece of landscape fiction by Pushcart Prize-winning author Scott Geiger, and a readymade course outline—open for anyone looking to teach a course on oceanographic instrumentation—by Mammoth’s Rob Holmes.
These join reprints of classic texts by geologist Jan Zalasiewicz, on the incipient fossilization of our cities 100 million years from now; a look at the perverse history of weather warfare and the possibility of planetary-scale climate manipulation by James Fleming; and a brilliant analysis of the Temple of Dendur, currently held deep in the controlled atmosphere of New York’s Metropolitan Museum of Art, and its implications for architectural preservation elsewhere.
And even these are complemented by an urban hiking tour by the Center for Land Use Interpretation that takes you up into the hills of Los Angeles to visit check dams, debris basins, radio antennas, and cell phone towers, and a series of ultra-short stories set in a Chicago yet to come by Pruned‘s Alexander Trevi.
Of course, everything just listed supplements and expands on the heart of the book, which documents the eponymous exhibition hosted at the Nevada Museum of Art, featuring specially commissioned work by Smout Allen, David Gissen, and The Living, and pre-existing work by Liam Young, Chris Woebken & Kenichi Okada, and Lateral Office.
Extensive original interviews with the exhibiting architects and designers, and a long curator’s essay—describing the exhibition’s focus on the intermediary devices, instruments, and spatial machines that can fundamentally transform how human beings perceive and understand the landscapes around them—complete the book, in addition to hundreds of images, many maps, and an extensive use of metallic and fluorescent inks.
The book is currently only $17.97 on Amazon.com, as well, which seems like an almost unbelievable deal; now is an awesome time to buy a copy.
[Images: Interview spreads from Landscape Futures; book design by Everything-Type-Company].
I just wanted to put up a notice that the book is finally shipping worldwide, with a new publication date of August 2013, and I look forward to hearing what people think. Enjoy!