Month: April 2015

[Image: Courtesy of Sotheby’s].

Back to opportunities in real estate: if you were tempted by the Minneapolis skyway but you’re saving your money for something a bit warmer throughout the year, consider snapping up the “Submarine Pits on Boca Chica Key.”

[Image: Courtesy of Sotheby’s].

As Sotheby’s describes the carved landscape of submarine docking pens, the pits can be found amidst “approximately 122 acres of vacant land just north of Key West.”

Here’s the site on Google Maps.

[Images: Courtesy of Sotheby’s].

They’re basically just deep slots blasted through the coral and limestone, barely visible beneath the water line in the form of somewhat ominous black strips where the ground drops away.

[Images: Courtesy of Sotheby’s].

The site is zoned as a “Commercial Fishing Special District,” perhaps implying some future reuse of the submarine pens as exotic fish farms.

But imagine all the weird opportunities here for submerged foundations, underwater hotel rooms, or other half-aquatic facilities—even something like the Danish National Maritime Museum by BIG—looped in and around these linear, Nazca-like features.

[Image: The Danish National Maritime Museum by BIG; photo by Luca Santiago Mora via Dezeen].

From Sotheby’s:

This parcel was used by the Navy Air Station to house its submarine war ships during the Cuban Missile Crisis and has a very colorful and distinct history. Perfect for marine use and development in a great location. Property includes seven finger cut coral canals that are 90 feet wide and over 25 feet deep, plus a deep water basin with dredged entry channel that provides passage to Boca Chica Channel (Oceanside) and Key West Harbor (Bayside).

The asking price?

[Images: Courtesy of Sotheby’s].

A mere $21.2 million—but then these drowned geoglyphs in the semitropical sun can be all yours.

(Spotted via Curbed Miami. Previously on BLDGBLOG: Buy a Skyway, Buy a Fort, Buy a Lighthouse, Buy an Underground Kingdom, Buy a Prison, Buy a Tube Station, Buy an Archipelago, Buy a Map, Buy a Torpedo-Testing Facility, Buy a Silk Mill, Buy a Fort, Buy a Church).

[Images: “N House” by Roote is a clever response to a hillside plot in Fukuoka, Japan, accommodating a 4-meter (13-foot) change in elevation from one side of the house to the other; images courtesy of Roote via designboom].

[Image: From “Destination Docklands” by Emma Colthurst; via Lobby].

This is such a clever architectural model: a project by Emma Colthurst from the Bartlett School of Architecture in London is presented as a narrative gyroscope, an urban universe of wheels within wheels, of shifting ground planes and emerging landscapes amidst a carousel of new horizons.

[Image: From “Destination Docklands” by Emma Colthurst].

Called “Destination Docklands,” it is intended as a kind of horological device, telling the story of the site through time.

This includes the “submerged industrial landscape” that re-arises with a turning of the gears to the towering cranes of as-yet unrealized construction projects set to transform the Docklands for generations.

[Image: From “Destination Docklands” by Emma Colthurst].

As Colthurst herself explains over at Lobby:

“Destination Docklands” seeks to reconnect the remnant memory of the submerged industrial landscape. A Gimbal—a mechanism, typically consisting of rings pivoted at right angles, for keeping an instrument such as a compass or chronometer horizontal in a moving vessel or aircraft—holds the Dock’s spatiality in fragmented balance. Previously a device used for ship navigation, the Gimbal realigns glimpses of the area’s connected history, and its axes pivot perpendicularly, bringing their own relationship and meaning to the Dock. The Gimbal becomes a capsule for the connected “players” of this industrial world.

“As the rings turn,” she adds, “the spatial relationships between the industrial worlds are juxtaposed against each other. As these tangible connections teeter on the edge of the Dock’s hemisphere, their world is refocused in moments of realisation, before falling away.”

[Image: From “Destination Docklands” by Emma Colthurst].

The result is a gyroscopic scenography of different contexts rolling into view, momentarily aligning, and then sinking once again into the urban murk of potential rearrangements yet to come.

Read more about the project over at the recently launched Lobby.