The Wind Bank and the Battery

When it was announced at the beginning of January that Australian researchers had developed a kind of wind battery – an “electricity storage system that promises to transform the role of wind energy” – I immediately thought of a scene from Virgil’s Aeneid.

[Image: The wind bank and the battery, via New Scientist].

There, we read about a place called “Aeolia, the weather-breeding isle,” where all the winds of the world are stored:

Here in a vast cavern King Aeolus
Rules the contending winds and moaning gales
As warden of their prison. Round the walls
They chafe and bluster underground. The din
Makes a great mountain murmur overhead.
High on a citadel enthroned,
Scepter in hand, he molifies their fury,
Else they might flay the sea and sweep away
Land masses and deep sky through empty air.
In fear of this, Jupiter hid them away
In caverns of black night. He set above them
Granite of high mountains – and a king
Empowered at command to rein them in
Or let them go. (Book 1, 75-89)

In other words, King Aeolus, “high on a citadel enthroned,” ruler of these “contending winds and moaning gales,” serves as a kind of literary precedent for the new wind bank project off the coast of Australia.
Less abstractly, New Scientist explains how a local utility company on King Island has “installed a mammoth rechargeable battery which ensures that as little wind energy as possible goes to waste”:

When the wind is strong, the wind farm’s turbines generate more electricity than the islanders need. The battery is there to soak up the excess and pump it out again on days when the wind fades and the turbines’ output falls. The battery installation has almost halved the quantity of fuel burnt by the diesel generators, saving not only money but also at least 2000 tonnes of carbon dioxide emissions each year.

The battery actually works through an ingenious system of chemical mixture and separation. It is thus referred to as a “flow battery”:

In the lead-acid batteries most commonly used, the chemicals that store the energy remain inside the battery. The difference with the installation on King Island is that when wind power is plentiful the energy-rich chemicals are pumped out of the battery and into storage tanks, allowing fresh chemicals in to soak up more charge. To regenerate the electricity the flow is simply reversed.

Interestingly, this bit of news arrived at the same time as an article about offshore oil rigs, on the Gulf coast of Texas, being retrofitted to act as gigantic windmills.

[Image: Via Wired].

In other words, an offshore energy firm is hoping to “mount conventional windmills on decommissioned oil platforms,” and then anchor those platforms, like artificial islands, out at sea, where the planet’s winds are at their strongest.
Combining both these stories, though, I can’t help but picture a suitably mythic vision of gigantic flow batteries, standing on iron strutworks and gantried legs, like some sci-fi sea-city on the Texas horizon, dispensing power to all those who visit it: a modern-day version of Aeolia, in other words, the weather-breeding isle.
In any case, all of this takes a turn inland when we add yet another article, published last month in Metropolis. Metropolis introduces us to a man named Mark Oberholzer. Oberholzer has proposed “integrating turbines into the barriers between highway lanes,” which would thus “harness the wind generated by passing cars to create energy.”

[Image: Via Metropolis].

By tapping into an otherwise overlooked urban energy source, Oberholzer’s plan transforms a space of pollution, waste, and indulgence – i.e. the modern interstate highway system – into a place of energetic productivity.
Better yet, his system capitalizes not on already existing wind patterns, such as those roaring across the ocean waters of the world, but on inland breezes generated by human activity. His highway-based turbines thus exhibit an interesting, if problematic, symmetry when it comes to anthropocentric climate change: these devices rely entirely on the passage of automobiles, even as they generate an electrical supply that doesn’t itself burn fossil fuels.

[Image: Via Metropolis].

Returning to the Classical theme with which this post started, though, there is one aspect to all of this that perhaps even Homer himself would like to hear. I’m referring to the Anemoi, Greek gods of wind, each associated with one of four cardinal directions. There was Boreas, the north wind; Eurus, the east wind; Notus, the south wind; and Zephyr, the west wind.
To these, though, Oberholzer’s highway project would seem to add a new wind, and another direction: the wind of Man and Cities, those agitated inland breezes from our architectural world, where constant motion now generates its own unruly weather.
An even larger symmetry opens up here, then, when we realize that Oberholzer’s inland winds of highways and boulevards might yet be stored, years from now, in wind batteries like those on King Island, Australia.
In other words, these new winds of modernity – urban weather – would be welcomed back into the embrace of King Aeolus, tying the knot, joining those older breezes locked deep inside the isle of Aeolia, where their energy will be stored for another day.

(This post originally appeared on Worldchanging).

Infections of the Earth vs. Statue City

[Image: Mt. Nemrut stone statue heads].

Naturally occuring soil bacteria, called Bacillus pasteurii, could someday “be used to help steady buildings against earthquakes.”
These microbes “can literally convert loose, sandy soil into rock.”
Through a kind of geological infection, they cause “calcite (calcium carbonate) to be deposited around sand grains, cementing them together,” transforming “loose, liquefiable sand into a solid cylinder.” This alone could help buildings survive an earthquake.
Interestingly, “similar techniques have been used on a smaller scale, for example, to repair cracks in statues, but not to reinforce soil.”
But hearing this reminds me of an article published last year in New Scientist, about “a disease which gradually turns people into living statues.” Officially known as sporadic fibrodysplasia ossificans progressiva, it’s “a disease in which muscle gradually turns into bone.”
According to Wikipedia, this “mutation of the body’s repair mechanism causes fibrous tissue (including muscle, tendon, and ligament) to be ossified (turned to bone) when damaged. In many cases they can cause joints to become permanently frozen in place. The growths cannot be removed with surgery because such removal causes the body to ‘repair’ the area of surgery with more bone.”
So the idea here would be to give “statue disease” to the Earth itself: wherever the planet is wounded, it turns itself to rock – or bone, as the case may be – saving us from earthquakes.

But what amazing architectural structures might result if the world was swept by statue disease! The crowds of Paris, frozen hard as rock in an epidemic of Gothic statuary, webbed together in one vast church of bone. All of Rome becomes a sculpture gallery.
Discovering that you, too, are infected, you deliberately seek out a crowd of others, wearing hospital gowns, and you join together in a group to form huge gymnastic shapes – knowing that your joints will soon fuse, becoming an artwork that will outlast Manhattan.
Future archaeologists will burst into tears as they scrape away layers of the Gobi Desert, revealing ten million human statues in an abandoned Beijing…